GOLDEN AGES OF MAJOLICA
Ceramics from the collections of the Galleria Nazionale d'Arte
Antica in Rome
In collaboration with the Italian Institute of Culture
Under the aegis of the Embassy of Italy in Russia
Aptekarski Prikaz
October 11 — November 6 2005

In 2005 at the hall "Aptekarskiy
Prikaz" of the Schusev State Museum of Architecture an
exhibition "Golden Ages of Majolica" will be opened. The
majolica pieces of the Galleria Nazionale d'Arte Antica in Rome
covers a period from 13th to 18th centuries. The collection
consists of the medieval ware from the Lazio area,
fifteenth-century Tuscan items, crockery of 16th—18th c. from
Faenza, Urbino, Naples and other centres. These pieces are little
known by either the public or the experts because they have never
been included in either temporary or permanent exhibitions. The
objects are examples of decorative art of fine quality as well as
being of great documentary value, frequently bearing dates and
initials, heraldic motifs or unusual symbols. This is a
substantial collection of majolica as regards both quantity and
quality. It has been enlarged, above all, by remarkable donations
from both people of modest means and from aristocratic collectors
(among these we should mention the Prince Ladislao Odescalchi and
Alessandro Castellani).
Several words about concrete exhibits should be
said here. The 13th- and 14th-century jugs from the environments
of Rome painted with restrained geometrical ornament are of
special interest. The collection of early majolica works includes
also pieces from the Veneto area (14th — 16th c.) decorated with
knights and ladies engaged in courtly games and pursuits,
monograms of Christ, a bleeding heart and cherubs. The many
chemist's vases and jars from Faenza are adorned with the Gothic
scrolls, or volutes as well as rosettes, blue-on-white designs
imitating oriental porcelain and the fish-scale pattern. We should
mention the early 16th-century shallow white majolica plate from
Urbino portraying a mythological scene; the delicacy of tone and
the fineness of decorative motifs was influenced by the Raphael
School. There are some plates entirely painted with landscapes in
the familiar dark and light blue typical of the 17th-century ware
from Savona and Albisola. The collection includes a section of
laggione — majolica tiles used in Liguria during the 14th
and 15th centuries to cover walls and floors in stately
houses. They portray a metre-high image of the Roman hero Scipio.
The 18th century is represented by the majolica pieces from Veneto
decorated with the typical floral ponticello pattern.
The multi-coloured tiles from Iznik — a famous
Turkish centre of ceramics — date back to the 16th — 18th c.
Hispano-Moresque ware is recorded by a series of plates, cups and
vases the province Valencia. These items are adorned with the
gilded work and images of animals, figures and inscriptions.
Prince Baldassare Odescalchi donated in 1880 to the Galleria
Nazionale his collection of 15th century azulefos — Islamic
tiles with images of fabulous animals.
The exihibition "Golden Ages of Majolica"
is an initiative of the General Directorate for the Promotion and
the Culture Cooperation of the Ministry of Foreign Affairs in
collaboration with the Soprintendenza ai Beni Artistici e Storici
of Rome. It comes for the first time to those central and eastern
European countries that have long standing cultural links with
Italy. It continues a series of social activities that had been
begun by the Venitian Glassware from the Renaissance to the
19th Century which was shown lately in Kiev, Moscow, Ankara,
Sofia and Bucharest.
Russian version 
press
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